I Love You Because I Love You

This children's picture book contains simple, poetic words but it expresses powerful emotion. The beautiful illustrations depict diverse characters experiencing the joys and security that unconditional love offers. I recommend reading this book with someone you love just because you love them.

Reviewed by Christa S., Senior Information Assistant

Consent Zines

Consent Zines

Good consent is very important. Consent is a mutual verbal, physical, and emotional agreement that happens without manipulation, threats, or head games. As Project Respect states, “Everyone has the right to sexuality without violence and as part of that, positive sexuality begins with enthusiastic consent. This means being as excited and into someone else’s enjoyment as we are excited and into our own enjoyment.

The Women in the Castle

War, it is said, tears families apart and brings strangers together. In this compelling WWII novel, two German widows of Nazi-resisters and a third woman, a refugee from the East, move in together, along with their children. They help each other with child-rearing and preparing meals, despite the privations of rationing. Most importantly, they give each other deep emotional support, as good families do.

The novel opens on a grand harvest party in a castle, ramshackle and falling apart, near a small town in Bavaria. Marianne, the main character, plays host for its ailing owner, Countess von Lingenfels, her husband Albrecht's aunt. Marianne brings to hosting the skills of someone who has an eye for beauty and taste—and particularly the complicated dynamics of relationships between people. She greets, cajoles, and introduces strangers with the flair and manners of a great lady.

The Buried Giant

If you’ve read any of Kazuo Ishiguro’s novels, you know that not only can he write beautiful prose but that he also weaves interesting, compelling stories.

For an author who has written about widely divergent themes: life among the British gentry and serving classes (The Remains of the Day) and a group of schoolchildren being farmed for body parts (Never Let Me Go), his latest takes a leap into entirely new directions.

Call it an on the road/historical/Arthurian/ attempt-to-find-and-slay-a-giant-novel. This giant, who lives in Britain after the Anglo Saxon wars, spumes up dense clouds that cause people to lose their memories.

Beatrice and Axl, two very old Britons, find themselves denied candles in their village, forced to spend their nights in the cold dark, and are treated shabbily in other ways.  They decide to leave and attempt a long arduous journey to see their only child, a son, who has not returned to the village for many years. Beatrice suffers from an unnamed illness that makes her very frail but she’s determined to see their son again.

Because of the endless polluted mists, neither she nor Axl can remember why their son left, or why he has not returned. Axl vaguely recalls an argument just before they parted, so the old couple want to make amends.

In one village where they spend the night, the residents mob a young boy who has a weird bite on his skin. They are so angry that Axl fears for the boy's life, and rushes to his rescue, but the mob attacks him instead. After leaving this village they find this boy again accompanied by a Saxon. Long ago, Axl fought against the Saxons, and the country is just starting to heal from the vicious wars.

Axl and Beatrice agree to travel with them, because the Saxon promises to help the couple reach their destination. They feel sorry for the boy too, but they are also leery of his bite.

While trying to cross a bridge, guards with swords detain them.  When the Saxon sees them coming, he concocts a plan to play the fool. He also advises the couple to say that the boy has come with them. So the Saxon lolls his head, wags his tongue while the guards draw swords and prepare to spear him. But his disguise succeeds at least until the guard realizes later that the boy might be the boy bitten by the dragon, and chases them again.

The party also meets elderly Sir Gawain, one of the knights or Arthur’s Round Table. The king has commanded him to slay the buried giant. At one point, the Saxon accuses him of not really trying to kill the beast.  Why else would it still be alive?

The couple decide to visit a monastery even though it is out of the way and high on a mountain because they heard a monk there offers excellent counseling. But alas, the monastery was not what they thought. Around its windows and parapets, huge ravens swarm eager for bites of flesh. There is also a large tower that looks burnt, and has a suspicious platform on which it looks like battles have been fought, and enemies thrown off. Later the Saxon discovers a weird torture device in an out-building. And yes, those hungry ravens continue to batter the hatches.

Ishiguro weaves history, Arthurian legend, and medieval fear of those different from us into a wonderful parable, but at heart, this is a story of a long marriage, how two people survive both the rough and calm seas of life, trying to bridge their differences, and caring for each other despite mistakes, arguments, hard feelings and the chaos of a world gone mad around them.

For an entirely different take on England long ago, try Geraldine Brooks' Year of Wonders: a novel of the plague.

Miss Dreamsville and the Collier County Women's Literary Society

What happens when an energetic, middle-aged Bostonian moves to a sleepy town in Florida in 1962? First, she starts a radio show under the persona of Miss Dreamsville and secondly forms a book club. Ex-Bostonian Jackie Hart starts a ruckus when she invites people of other races and sexual persuasions to the club in a decidedly racist, homophobic town where a divorcee is considered socially-risque and improper.

Narrated by a lovable octagenerian, Dora, who does not fit into Naples herself, this novel discusses important issues such as racism, feminism, and homophobia while presenting an interesting mix of characters. With a backdrop of serious and important issues, it provides a humorous and entertaining read.

In her debut novel Amy Hearth manages to take on both the Ku Klux Klan, North versus South, the nature of community, and newcomer angst to Naples, Florida.

Mud

There are times when everything in life seems just as clear as... mud. That’s doubly true if you happen to spend lots of time scrounging the Mississippi River, which is exactly what the characters in the latest from Jeff Nichols (director of 2011’s shamefully overlooked Take Shelter) do to get by. Centering on Ellis and Neckbone, two early-teens swamp rats who befriend a fugitive hiding out near their fishing spot,

Those Rollicking 1920s

Interested in all the hoopla surrounding The Great Gatsby? If this new flick has spurned your interest in 1920s New York, The Other Typist is the book for you. Talk about unreliable narrators. Rose Baker, a former orphan & Catholic schoolgirl, has joined the new wave of women working where men only used to work—big city police stations.

And even though she is still doing women’s work—stenography & typing--she’s listening to risqué and bad language-spiced stories from speakeasy gangsters and murderers including one serial killer who offs several wives in a row for their money. They each end up drowned in the bathtub, yet he keeps convincing juries that he is innocent.

Strong and stoic as Rose is, she soon becomes mesmerized by the new (somewhat incompetent) typist, Odalie, who is beautiful, rich, and ever so modern. She bobs her hair, wears the new slinky dresses with long beads, and is not afraid to make her own way in the world, including visiting the aforementioned speakeasies. But where does Odalie get her money? And is the daddy who pays her rent really her daddy?

Acid, Projects, and Pit Bulls: Fiction by Paul Griffin

ImageThere are plenty of Young Adult books that portray the difficulties of being a teenager. Some are funny, some serious, and some are pretty dark. There's even a name for ones that focus on a specific issue -- the problem novel (you've got your teen pregnancy, drug abuse, suicide -- you name it). Some are great, but often times the more one topic takes center stage, the less realistic these books seem. It's never just one problem in real life, is it? For pretty much anyone at this age, times are hard all around. Paul Griffin writes about hard times.

Buddha in the Attic and Narrative Mode

BuddhaAttic"On the boat we were mostly virgins" begins Julie Otsuka's gem of a book, The Buddha in the Attic.  One of the noticeable things from that first sentence is the unique narrative mode.  The whole book is written in the first person plural style.  This type of narration can be awkward -- most fiction is written in either first person or third person.  Convention can be comforting, we know immediately how to read the story and relate to those characters.  In first person plural, the story is told from the group's perspective, and with no main character, the rules are different.

Otsuka said in an interview that she wanted to tell the story of Japanese picture brides -- not just one bride, but that as a group.  And in this case, the narrative mode makes perfect sense.  Between 1908 and the 1920s, thousands of young Japanese women came over to the United States after an arranged marriage agreement.  Instead of focusing on one story, this book introduces the reader to many stories, some devastatingly sad, some happier, but all of them are sympathetic.  And by not focusing on just one story, we read the book with a fuller picture and are moved by their collective experiences and struggles.  The stories begin on the boat, and follow them through marriage, manual labor, child raising and the heart wrenching internment following the attacks on Pearl Harbor.  I can imagine that this book might appeal to a wide range of fiction readers -- fans of historical fiction, women's fiction, immigrant stories, Asian-American experiences, World War II home front, and readers of fiction set in California and the West.

The Statistical Probability of Love at First Sight

I don't read enough young adult fiction, so when I came across The Statistical Probability of Love at First Sight with its intriguing title, I decided to jump in. It tells the story of seventeen-year-old Hadley Sullivan who is flying across the Atlantic to attend her father's wedding but only under duress.

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